Javanese Dance definition according to Wikipedia
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Javanese dance is the dances and artforms that were created and influenced by Javanese culture. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the Bedhaya and Srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as Ronggeng, Tayub, Reog, and Kuda Lumping.
Javanese dance is usually associated with Wayang Wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture.
Types of Javanese Dance
Javanese dance reflects the stratified hierarchy of Javanese society, and roughly can be identified within two mainstream of traditions:
Tari kraton (palace dances)
Tari kawulo (commonner dances)
The courtly Javanese palace dance is the type of dances that developed, nurtured and fostered by Javanese Kratons, mainly Yogyakarta Sultanate and Surakarta Sultanate, the patrons of Javanese Mataram culture. Javanese sultans are known as the patron and the creator of Javanese court dances.
Kraton dances employs sets of rules about certain dance movements, body and hand gestures that requires discipline to learn. Gamelan orchestra is the prerequisite for Javanese court dance performances as well as for other Javanese artforms such as Wayang performances. The serene elegance, slow pace and constrains of its movements gave Javanese dance a meditative traits. Javanese court dances were heavily influenced by Javanese Hindu-Buddhist legacy. As the result the costumes, jewelry and story, often reflects or based on Hindu epic tales of Ramayana and Mahabharata.
There are three basic types of courtly Javanese kraton dance:
Beksan putra – These are the dances for men, which serve two purposes: a military close-order drill and highlighting martial skills. Dancers may learn beksan putra dances to familiarize themselves with the movements for narrative dances.
Beksan putri – Putri is the Javanese word for female, and these dances include courtly dances designed for royal events with very precise movements and distinct staging with subtle layers of meaning. Such dances were often used for entertainment or courtship.
Beksan wayang – These are narrative dances from epic poems, and usually are named after the characters in them, usually an alus-style hero and a gagah-style villain.
Also known as “Tari Rakyat”, is the popular dances of the commoner. This is the type of Javanese dances that developed in villages or cities that located relatively quite far from Javanese kratons as the center of Javanese palace culture. Kawulo dances is lack in Javanese courtly dance discipline, constrainments, and refinements. This type of dance relatively more open and adaptive to foreign influences.
Several dance is functioned as courtship or social dance, such as Ronggeng, Gandrung and Tayub, while others as celebrative dances such as Reog and Kuda Lumping. The movement of social dances, such as ronggeng and tayub are somewhat more vigorous and erotic, closely related to Sundanese Jaipongan. Because of this erotic nouances, this type of dance often gained shady reputation as the dance of the prostitutes.
Brakel-Papenhuyzen, Clara (1995)Classical Javanese Dance Leiden KITLV Press ISBN 906718053X
Soedarsono (1984) Wayang Wong Yogyakarta Gadjah Mada University Press